Chute d’Icare

Chute d’Icare (The Fall of Icarus) is a tapestry by Emile Gilioli, woven in 1966 at the Atelier Raymond Picaud in Aubusson. The work marks a shift in his approach, moving away from rigid, block-like compositions toward a more fluid and atmospheric structure.

The composition is centered on a series of circular forms that appear suspended in space. These rings are not solid or fixed; their surfaces are broken and irregular, giving them a sense of instability. Rather than holding their shape, they seem to dissolve, as if caught in a moment of transition.

The background plays a defining role. A broad field of pink extends across the entire surface, creating an unexpected setting for the composition. This color is not flat—subtle variations in tone introduce a sense of movement, allowing the field to feel active without overpowering the forms.

The placement of the circular elements introduces a downward motion. They are slightly tilted and unevenly spaced, creating a sense of descent rather than balance. This directional movement is reinforced by the contrast between the more defined edges of the rings and the softer, shifting ground behind them.

Color remains controlled but expressive. Muted tones within the rings contrast with the surrounding field, allowing each element to remain visible while still integrated into the whole.

Chute d’Icare reflects a more open phase of Gilioli’s work. Structure is still present, but less rigid—allowing form, color, and placement to carry a quieter, more continuous sense of movement across the composition.