Femme au miroir

Artist: Joan Miró
Date: Woven 2024 (design c. 1946–56)
Dimensions: 145 × 210 cm (57 × 83 in.)
Material: Handwoven wool tapestry
Manufacture: Atelier Pinton, Aubusson, France
Edition: 3/8
Signature: Artist signature woven lower right
Provenance: Private French collection
Condition: Perfect

Femme au miroir is a striking tapestry by Joan Miró, woven in 2024 by Atelier Pinton in Aubusson, based on a design created between 1946 and 1956. This work exemplifies Miró’s ability to translate his poetic and surreal visual language into textile, where color, line, and symbol converge in a composition that feels both spontaneous and deeply structured.

The scene is organized around a duality: an abstracted female figure appears on the left, while a mirrored form occupies the right. The figure is rendered through Miró’s signature vocabulary—curving lines, simplified anatomy, and playful distortions—suggesting femininity without literal description. Opposite, the “mirror” becomes less a reflective surface and more a symbolic counterpart, reinforcing themes of perception, identity, and transformation.

The composition is unified by a luminous blue ground, framed by a bold black border populated with biomorphic elements. These marginal forms—floating signs, constellations, and abstract figures—act as both framing device and narrative extension, drawing the viewer inward before encouraging a more exploratory reading of the surface. As noted in your dossier, this interplay creates a sense of “childlike discovery,” where meaning unfolds gradually through association and observation.

Miró’s approach, often linked to psychic automatism, allows the composition to feel intuitive and alive. Lines wander, symbols emerge, and relationships between forms remain open-ended, inviting personal interpretation. At the same time, the tapestry medium introduces a new dimension: the softness of wool tempers the graphic intensity of the design, while subtle variations in weave give depth to areas of flat color.

Woven in the Aubusson tradition, this edition is part of a limited series of eight, each marked by the artist’s woven signature and an Atelier Pinton bolduc. The result is a work that bridges mid-century modernism and contemporary craftsmanship, preserving the immediacy of Miró’s vision while extending its presence into a tactile, enduring form.

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Collection: Modern Tapestry